Alternative New China Cinema： Hong Kong Leftist Cinema during the Cold War-- A Discussion of the Hong Kong Leftist Film The True Story of Ah Q

纸讨论 1957 香港电影真故事啊 Q。作为一部香港左派的电影，它的阴谋和生产过程与理解新中国的政治、文化的生活相关。然而，香港左派的电影院在海外的新中国电影院的接收起了一个重要作用；它能仅仅在在新中国的政治、文化的生活的上下文以内被理解。这份报纸探索在香港左派的电影院，国内社会主义电影院，和上海之间的复杂关系在 1930 年代的左翼的电影院。另外，它讨论真故事啊是的 Q 有与香港左派的电影院和新中国电影院识别它的特征的一部电影。因此，电影 acceptibility 被在这二鉴定之间的紧张决定。

The paper discusses the 1957 Hong Kong film The True Story of Ah Q. As a Hong Kong leftist film, its plot and production process are relevant to understanding the political and cultural life of New China. However, Hong Kong leftist cinema played an important role in the reception of New China cinema overseas; it can only be understood within the context of political and cultural life in New China. This paper explores the complicated relations between Hong Kong leftist cinema, domestic socialist cinema, and Shanghai left-wing cinema in the 1930s. In addition, it discusses The True Story ofAh Q as a film with features that identify it with both Hong Kong leftist cinema and New China cinema. Thus, the film＇s acceptibility is determined by the tensions between these two identifications.