摘要
分段是词的重要体式标志,而双调是词体最主要的形制之一。以唐五代的音乐演艺体制为中心,探索音乐形态与词体结构之间的关联性,揭示词体演进的音乐学渊源,以及从音乐结构到文体结构转换的关键,阐明双调这一重要词体形制,是从"对歌"这一演艺体制中转换而获得的。
Segmentation is a key stylistic indicator of Ci poetry,while its double tune is one maj or form.Focusing on the musical performance system in the Tang and Five Dynasties,this paper ex-plores the connection between musical forms and Ci structures,and reveals the musicological origin of Ci's evolution and the hinge of structural transformation from music to literature in order to prove that the double tune is generated from the singing in an antiphonal style.
出处
《云南师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2015年第2期120-128,共9页
Journal of Yunnan Normal University:Humanities and Social Sciences Edition
关键词
词
双调
唐五代
Ci poetry
double tune
Tang and Five dynasties