从订定篇题看郭沫若旧体诗词的整理

On Guo Moruo's Collation of Chinese Traditional Poetry from the Perspective of Work Title Setting

郭沫若的旧体诗词创作,是关于其生平与文学活动最基本的史实,但在其旧体诗词的整理工作中,一些最基本的问题尚未厘清,如何订定作品篇题便是其中之一。郭沫若的旧体诗词基本上不是为发表而作,许多只是诗人自己的抒情、感怀之作,与友朋之间的唱酬、交往之作,诗成时常常没有篇题。以至于今,许多作品的篇题五花八门,且多有异题同篇者。之所以如此的原因各不相同,但改变这些乱象,需要规范相关问题的解决,尽快地将史实梳理清楚。

The creative writing of traditional Chinese poetry is the basic historical facts about Guo Moruo＇s own life experience and literary activities;however,in the collation of traditional Chinese poetry,some of the most fundamental problems are yet to be sorted out,among which one being how to establish the title of a poetic work.Guo＇s traditional poems,as works of his own emotional expressions or reminiscences,or works of intercommunion with personal friends,were mostly not intended for publications so that they usually borne no titles when they were written.Up to now,many titles for such works are multifarious,and some works are found with different titles.The reason why such phenomenon exists can be various,but the solution to such problems needs specification so that historical facts may be sorted out as soon as possible.