摘要
陶渊明《桃花源记》问世后,引发后世文人极大的兴趣,各种议论也随之产生。大致说来,后人对"桃源"故事的理解主要有三种观点:神仙说、纪实说、寄意说。相比之下,本文更倾向于寄意说。因为,这一说法不仅与陶渊明儒、道兼容的隐逸思想相吻合,而且与诗文中的一些细节问题(譬如桃源之名、故事情节及其结局等)亦有关联。可以说,世外桃源的创设,既是陶渊明对人类美好社会理想的表达,也是其对所处"大伪"世风的自觉抵御。
The appearance of "Peach Blossom Spring", an article written by Tao Yuanming, attracts many scholars greatly, leading to different comments on it. In general, it is understood from the following aspects:immortal legend, documentary record, artistic and imaginary conception. In constrast, this paper is inclined to interpret it artistically and imaginarily, for this interpretation is not only consistent with Tao Yuanming's reclusive thought mixed with Confucianism and Daoism but also is related to such detailed description in this article as the name of peach blossom, story plot and story ending. As it were, the creation of a paradise of peach blossom is not only Tao Yuanming's ideal expression at a good society but also a spontaneous defense against hypocritical wordly atmosphere.
出处
《铜仁学院学报》
2015年第1期15-19,共5页
Journal of Tongren University
关键词
陶渊明
桃花源
重新审视
隐逸思想
Tao Yuanming
Peach Blossom Spring
new look
reclusive thought