模仿的是神话范型——由萨满跳神到二人转的内在主题

Imitation is Mythological Paradigm-Inherent Theme from Shaman Dance to Errenzhuan

萨满对神话范型模仿的戏剧方式一直传承到二人转艺术中。一丑一旦的"二人转"是萨满模仿创世神话"二神转"的变形;二人转跳进跳出的模仿方式也是萨满模仿方式的置换。二人转通过两种方式传承了萨满模仿的戏剧方式:一种方式是由萨满跳神转换为民间舞蹈传承到二人转;另一种方式是二人转在成为一种独立的民间艺术之后向萨满跳神的借鉴。萨满模仿的戏剧方式通过民间舞蹈传承到二人转,同时就把萨满跳神的创世神话范型传给了二人转。

The drama mode of Shaman imitation to the mythological paradigm has been inherited to the erren-zhuan art. The “errenzhuan” is the deformation of Shaman imitating genesis mythology “ershenzhuan”;the imitation ways of errenzhuan also is the replacement of Shaman＇s imitation ways. The errenzhuan had inherited the drama mode of Shaman imitation through two ways： one way is Shaman Dance trans-forming to folk dance, then to the errenzhuan; another way is the reference of errenzhuan for the Shaman Dance after it became an independent folk art. So the drama mode of Shaman imitation has been inherited to the errenzhuan through the folk dances, while the Shaman genesis mythological paradigm has been passed on to the errenzhuan.