2000年以来意境研究的新进展

The New Achievement of Artistic Conception Research Since 2000

15年来,"意境"研究仍然是一个热点课题。与20世纪后20年的意境研究相比,这一时期在文献整理、理论探讨和学术批评等诸多方面,都有了新的进展,譬如文献整理更全面,理论探讨更深入,学术批评更理性,亦获得了十分丰硕的研究成果,其中最值得关注和肯定的,是出现了由理论探讨向应用研究的转型。众多研究者的学术兴趣是运用意境理论分析和解决至文学、艺术、工艺、设计、传媒、教育、制造、广告、营销等领域里的审美问题。很显然,"意境"作为古老的传统美学话语不仅存活至当代,而且还具有十分旺盛的生命力。"意境"范畴已经成为我国当代大众审美文化的"公共话语",甚至成为一种十分流行、时尚和具有中国特色的审美范式。这是目前值得我们认真研究的新现象和新问题。但是,应该看到其中的弊病也不少,如低水平的重复研究现象仍然十分严重,甚至存在抄袭和剽窃行为,学术批评中有些不良风气还有待改善等。

For the last 15 years,the ＂artistic conception＂remains a hot topic in research area. Compared with the research state of the last century,in the theoretical and academic criticism,and many other aspects,there are numerous new development. For example,more comprehensive literature review,deeper theoretical discussion,and more rational academic criticism; and all these lead to very fruitful results. One of the most noteworthy is a transition from theoretical discussion to research of application. Many researchers＇ academic interests focus on the use of artistic conception theory to analyze and solve contemporary literature,art,craft,design,media,education,manufacturing,advertising,marketing and other areas of aesthetic problems. The ＂artistic conception＂category has become ＂public discourse＂of contemporary culture,and even become a very popular,most stylish and aesthetic paradigm with Chinese characteristics. This is the new phenomena worthy of our careful study. However,it should be noticed that some problems exist,such as the low levels of repeated studies,and even the existence of plagiarism. The unhealthy academic criticism needs to be put right.