“风尘”与“白雪”:李攀龙诗歌的心态特征

Traveling Fatigue and White Snow: Mental Characteristic of Li Panlong's Poetry

李攀龙诗中最多"风尘"与"白雪"意象。"白雪"寄寓他治世与文学革新理想,他有强烈的革新理想,却选择避宦的文学战斗形式,在明后期士子心态里具有典型意义。李攀龙扛起文学自觉前进与朝政黑暗衰乱的负重心态,又以"风尘"渺小轻忽心象反映,既有自喻之悲,更有喻他之痛,集中在文学艰辛与仕宦泥滓感受。"风尘"与"白雪",是李攀龙心理的悲歌。

The most remarkable images in Li Panlon＇s Poetry were traveling fatigue and white snow. Snow white images contained his political and literary ideal, and represented for reformations that an era demand and individual qualities needed in Ming Dynasty. But Li Panlong chose to be a hermit and continued his literary fight, which had typical significance in literati and officialdom in later period of Ming Dynasty. His huge mental tension was reflected by traveling fatigue, a very slim and light image, which was on behalf of his own and times sadness. The traveling fatigue and white snow images were the mentality features of Li Panlong＇s poems, adding real sentiment strength into Ming Poetry.