“忘笔墨而有真景”——荆浩绘画“笔墨”理论研究

“Vivid Scenery Based on the Ignorance of Painting Strokes”: A Study of the “Brush and Ink”in Jing Hao's Paintings Theories

荆浩是唐末五代时期的著名画家和绘画理论家,其在绘画创作和绘画理论方面均有很高造诣。作为荆浩绘画理论重要组成部分的"笔墨"理论,具有丰富的内涵,尤其是其对"笔""墨"这两个概念作了严格意义上的界定,将两者融合为一,并提出"忘笔墨而有真景"的主张。如此,不仅丰富了唐末五代时期的绘画理论,也对后世画坛产生了深远的影响。

Jing Hao is a famous painter and painting theorist at the end of Tang Dynasty and the Five Dynasties. He had wonderful attainments in painting creation and painting theory. The theory of ＂brush and ink＂, which has a rich connotation, is a very important part of Jing Hao＇s painting theory. In particular, his definition of ＂brush＂ and ＂ink＂, his theory of ＂brush＂ and ＂ink＂ blending to each other, and the theory of forgetting the ＂brush and ink＂ to get vivid scenery, had not only enriched the painting theory in the period of Tang Dynasty and the Five Dynasties, but also had significant influences.