摘要
徽州三雕的现代化转变是对自身的审美元素构成与设计方式进行再加工以满足消费需求的过程,在现代工艺特征上主要表现为路径性和包容性;审美方面则显示为消费指向性与意义多向性特征;在总体的现代应用风格上体现为超文化边界的陌生性特征。
The modern transformation of three sculptures(wooden sculpture,stone sculpture and brick sculpture)in Huizhou is one of the processes in which the formation and design of their aesthetic elements are recreated for the satisfaction of consuming requirement.And this transformation is mainly characteristics of the approach and compatibility with modern technique,of the consuming directivity and significance diversity aesthetically,and of the strangeness over ultra cultural boundary in the style of modern application.
出处
《安徽工业大学学报(社会科学版)》
2014年第6期74-75,共2页
Journal of Anhui University of Technology:Social Sciences
基金
安徽省教育厅人文社科重点项目:现代家具设计视野下的徽派雕刻艺术研究(SK2014A304)
蚌埠学院人文社科项目:徽州三雕艺术与现代家具设计风格研究(2013sk22)
关键词
徽州三雕
现代应用
民俗艺术
特征
three sculptures in Huizhou
modern application
art of folk custom
feature