摘要
活态保护是非物质文化遗产保护的重要出发点和落脚点,而生产性保护是促进非物质文化遗产活态保护的重要手段。目前,文化部积极实施国家级生产型示范基地评审,以促进生产性保护方式在非物质文化遗产保护中的探索和运用。本文以杨家埠木版年画为个案,探讨生产性保护实施、影响以及存在的问题,这些问题不仅仅是个案问题,也是当前非物质文化遗产生产性保护普遍存在的问题。
Living protection is where intangible cultural heritage protection starts and ends, while productive protection is designed to enhance intangible cultural heritage living protection. At pres- ent, the Ministry of Culture has been actively implementing evaluation of the state-level production demonstration bases to facilitate further exploration and application of productive protection in intan- gible cultural heritage. This paper studies wood engraving new year paintings of Yang' s Pier and discusses implementation, effects and problems of productive protection. Those issues arent alone, but universal in intangible cultural heritage productive protection.
出处
《文化艺术研究》
2015年第1期47-54,共8页
Studies in Culture and Art
基金
教育部课题"非物质文化遗产与博物馆保护研究"(编号:12YJCZH198)的阶段性成果
关键词
非物质文化遗产
生产性保护
杨家埠木版年画
反思
intangible cultural heritage
productive protection
wood engraving new year paintingsof Yang' s Pier
reflection