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论乔治·艾略特的视觉观念

A Study of George Eliot's Visual Perception
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摘要 乔治·艾略特一生游历欧洲,期间与诸多艺术家的人生奇缘使她与荷兰风俗画、前拉菲尔画派、英意肖像画等艺术结下不解之缘。其艺术的"诗如画"之视觉观念始终贯穿于其创作实践。本文基于文献、笔记、日志以及艺术评论,就艾略特视觉观念及其艺术品位做一研判。 George Eliot traveled around European life story with a myriad of artists made it possible Countries all through her life, during which her for her to be preoccupied with Dutch paintings, Pre-Raphaelite paintings, British and Italian portraits as well. Her visual tendency of as is painting so is poetry penetrates her literary practice. This paper attempts to explore her visual perception and visual preference based on her literature, survival diaries, notes and artistic reviews.
作者 罗杰鹦
机构地区 浙江农林大学外国语学院
出处 《文化艺术研究》 2015年第1期139-149,共11页 Studies in Culture and Art
关键词 旅行 社交 品味 真实 travel social life taste authority
分类号 I561 [文学—其他各国文学]
  • 相关文献

参考文献33

  • 1Carroll, D. George Eliot : The Critical Heritage [ M ]. London : Rouledge, 2009.
  • 2Eliot, G. The George Eliot Letters: Vol. 8 [ M ]. Haight, G. S. ed. , New Haven, Conn: Yale UP, 1954: 8.
  • 3Smart, A. Pictorial Imagery in the Novels of Thomas Hardy [ J ]. Review of English Studies, 1961 (12).
  • 4Eliot, G. The George Eliot Letters: Vol. 6 [ M]. Haight, G. S. ed. , New Haven, Corm: Yale UP, 1954.
  • 5Cross, J. W. George Eliot's Life: Vol. 3 [M]. New York: Harper, 1965.
  • 6Eliot, G. The George Eliot Letters: Vol. 4 [M]. Haight, G. S. ed. New Haven, Conn: Yale UP, 1954.
  • 7Eliot, G. The George Eliot Letters: Vol. 2 [ M]. Haight, G. S. ed. New Haven, Conn: Yale UP, 1954.
  • 8Eliot, G. Daniel Deronda [ M]. Hertfordshire: Wordsworth Edi- tions Ltd. , 2003.
  • 9Cross, J. W. George Eliot's Life: Vol. 1 [M1. New York: Harper, 1965.
  • 10Haight, G. S. George Eliot : A Biography [ M ]. New Haven, Corm & London: Yale UP, 1978.

二级参考文献27

  • 1Carol A. Martin, "Introduction", in Adam Bede ( Oxford: Clarendon, 2001), p. 36.
  • 2Hugh Whitemeyer, George Eliot and the Visual Arts (New Haven: Yale University Press, 1979), p. 81, p. 114, p. 115, p. 117, p. 118, p. 113, p. 221.
  • 3Oliver Millar, Dutch Pictures from the Royal Collection (London: Lund Humphries, 1971), pp. 6-36.
  • 4Peter Demetz, "Defences of Dutch Painting and the Theory of Realism", in Comparative Literature, 15 (1963):97- 115.
  • 5Mario Praz, Conversation Pieces: A Survey of the Informal Group Portrait in Europe and America (London: Methuen, 1971), p. 9.
  • 6Marghanita Laski, George Eliot and Her World (London: Thames and Hudson, 1973), p. 1.
  • 7Walter Pater, Imaginary Portraits, Library ed. , 10 vols. ( London: Macmillan, 1910), p. 88.
  • 8William Bell Scott, Gems of Modern German Art (London: George Routledge, 1873), p. 81.
  • 9Henry James, in The Painter's Eye, ed. John L. Sweeney (London: Rupert Hart-Davis, 1956) , p. 77.
  • 10Ronald Paulson, Emblem and Expression.Hogarth: His Life, Art, and Times, 2 vols. ( New Haven & London: Yale University Press, 1971 ), pp. 123 -25, p. 120, p. 154, p. 121, p. 122, p. 124.

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文化艺术研究
2015年 第1期

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