关于王羲之书法接受的思想衍说

Thoughts on The Acceptance of Wang Xizhi's Calligraphy

从魏晋、唐、宋至元,随着时代的变迁和更迭,王羲之的文化形象在不断地转换和重塑。从魏晋玄意幽远的"新道学"形象、唐代儒家道统的楷模、宋代化道入禅的萧散形象到元代理化了的儒学代表,可以说,同一书家的文化形象在不同的时代,甚至同一个时代的不同阶段是被不断重构的。因此在对王羲之的书法接受进行思想衍说时,需要将其纳入到特定的历史原境中,进行客观的研究和追寻。

From Weijin, Tang, Song Dynasties to Yuan Dynasty, along with change of time, the euhural image of Wang Xizhi have been constantly shifting and being reconstructed. From a Neo- Confucianism character with a profound metaphysics meaning in Weijin Dynasty to a role model of Confucian in Tang Dynasty, from an idle figure converting to Zen in Song Dynasty to Confucian rep- resentative after Neo-eonfueianismization in Yuan Dynasty, to some extent, a calligrapher＇ s cultural image keeps being reshaped in various times, even in different stages of one era. Therefore, to study thoughts on the acceptance of Wang Xizhi＇ s calligraphy has to be put in the specific historical back- ground to ensure objective research and pursuit.