摘要
咏物词的创作源远流长,自晚唐、五代一直至今。清中叶在广西北部形成的桂北词人群继承了先贤的传统,大力创作咏物词。他们的咏物词题材广泛,多与日常生活有关。在表现手法上,他们或就物赋形,穷形尽相地描绘;或借物抒情,追求物我合一之境;或托物言志,委婉传情达意,艺术技法多样而成熟。这一词人群体的出现,标志着广西词坛的首次勃兴,导引了之后的广西其他词人群体的相继出现,为广西词坛的兴盛奠定了基础。
The artistic creation of Ci poems themed on objects boasts a long history, ranging from the late Tang Dynasty all the way to the present day. During the mid-Qing Dynasty, Ci poets dwelling in northern Guangxi inherited the fine traditions of their predecessors in creating with great vigor Ci poems that extolled daily life-related objects of no fixed type. In terms of representation, there were three major types of techniques in poetic writing, namely painting the objects vividly, expressing feelings through the objects, and expressing ambitions through the objects in a circumlocutory manner. Beside, the writing techniques of these Ci poets were varied and mature. The emergence of the Ci poet groups in northern Guangxi was the first of its kind, which later on ushered in the formation of more Ci poet groups in Guangxi, contributing to the prosperity of Guangxi' s Ci poetry creation.
出处
《南阳师范学院学报》
CAS
2015年第1期47-52,共6页
Journal of Nanyang Normal University
基金
广西教育厅高等学校一般项目"清词中兴背景下的岭西词人研究"(201203YB063)
关键词
桂北词人群
咏物词
原因
意义
Ci-poet groups in northern Guangxi
Ci poems on objects
reason
significance