论志怪小说中画像变异故事的情节模式及审美内涵

On the Plot Patterns and the Aesthetic Connotation of the Ghost Stories about Painting and Sculpture in the Zhiguai fictions

志怪小说中的画像变异故事围绕形象与生命、真实与幻想、身体与灵魂之间的神秘关系结撰情节,其模式可分为三种:(1)"画龙点睛"类故事,即图像转变为生命;(2)"叶公好龙"类故事,即人与异类经由图像而发生交往;(3)"画形摄神"类故事,即画像与原型之间的交互影响。画像变异故事跨越虚空与实在、真实与幻想、可见与不可见、现实与理想之间的界限而创造出不可思议的灵异世界,其中包含的不仅有惊奇和幻想,还是恐惧和震撼。如《王惠照》、《胡画工》、《太虚司法传》等篇目,还包含了对于宗教和现实生活的深沉思考和强烈的批判,从诗性想象的世界中散发出智性的光辉。

The ghost stories about painting and sculpture in Zhiguai fictions cre-ated plots around the mysterious relationship between image and life,reality and fantasy,body and soul. The model of the stories can be divided into three types:(1)the“Hua Long Dian Jing”stories,means the stories about image turn into life;(2)“Mr. Ye like Long”stories,means the stories about human commuicate the alien through images;(3)“draw shape perturbation spirit”stories,which led to death of portrait prototype. The ghost stories about painting and sculpture acrossed the boundary of void and reality,reality and fantasy,visible and invisib-le,the reality and the ideal and created unbelievable spiritual world,in which can realize not only surprise and fantasy,but fear and shock. Such as“W A NG Hui-zhao”,“HU HuaGong”,“TaiXuSiFaZhuan”and other stories,also contains the deep thinking and strong criticism about religious and the social life,exuded intellectual brilliance from poetic imagination.