摘要
《蛙》是莫言第一部以生育为主题的现实主义大作,它反映了新中国60年的生育政策,政治话语的传播与嬗变都深深地影响了传统乡土社会的民众和他们的生活,同时政治话语传播渗透的过程中蕴含着传统"多子多福"的生育观与权力之间的激烈的角斗。新时期权力对人们的控制力度减弱,但是权力日渐和金钱同谋,道德沦丧的当代社会实际上催生了以金钱为主导的新的不平等的权力机制。
The Frogs with the subject of fertility is the first realism masterpiece of Mo Yan. It reflects the fertility policy of the year of 1960 in China. The spread and evolution of these political discourses have deeply influenced the people and their lives in traditional rural society. During the spread and evolution process of the political discourse it reflects the fierce fights between the fertility concept that more children,more happiness and the power.The power reduces the control of people in the new period,but the power conspires with the money increasingly. In fact,the contemporary society which the morality is disappearing results in the new unequal power mechanism which is dominated by money.
出处
《湖北文理学院学报》
2015年第3期61-65,共5页
Journal of Hubei University of Arts and Science
关键词
《蛙》
政治话语
生育文化
权力机制
The Frogs
Political discourse
Fertility culture
Power mechanism