摘要
中国青年艺术剧院的话剧《第十二夜》在中国舞台上可称为一部理解莎氏喜剧精神的榜样。该剧利用现代舞台表现手段,大胆采用戏仿与拼贴的艺术表现手法,合理融入当下社会、世俗生活,在轻松、幽默、调侃、戏谑的喜剧氛围中,再现莎士比亚人文主义精神,并提供给当下的我们在面对经典的过程中,如何演绎、对待、阐释经典的一次成功实践。表明中国在改编莎士比亚戏剧中已经完全成熟,能够借助于《第十二夜》的经典性,创造(秀)出了一部具有鲜明中国风格,得到青年观众普遍认同的莎士比亚戏剧。
Twelfth Night,a modern drama performed by China Youth Art Theatre,can be called a successful drama. The drama uses modern stage performance,employing boldlly parody and collage and interlarding rationally with the contermporary social and secular life. The play represents Shakespeare's humanistic spirit in a relaxed,humorous,funny,playful and joking atmosphere. It also shows us how to deal with and explain the classics. The successful performance shows that China has fully developed in the adaptation of Shakespeare's plays and with the help of the Twelfth Night,China can create a distinct style,getting the young audiences' universal acceptance of Shakespeare's plays.
出处
《外国语文》
北大核心
2015年第1期6-15,共10页
Foreign Languages and Literature
基金
国家社科基金西部项目"莎士比亚在中国语境中的接受与流变研究"的阶段性成果(12XWW482)