从20世纪中国画论争中看康定斯基基本绘画观

On Kandinsky's Painting Principles Based on the 20th Century Argument about Chinese Painting

俄罗斯画家康定斯基被当代人称为"现代抽象艺术在理论和实践上的奠基人"。借助于康氏的反写实绘画观念,可以很好地反观中国画界20世纪围绕中学与西学绘画关系展开的几次大型论争。从康定斯基坚持的"艺术本质""张力观念""艺术民族性"等思想出发,可以看出中国绘画在西学冲击下,中国画艺术走向了另一个极端"重图轻道"而又忽视了传统绘画的"重道轻图"的精髓。从艺术本体上看,任何民族艺术对外来艺术的吸收如果不能取长补短都将留下遗憾。

Russian painter Kandinsky is called ＂the founder of the modern abstract art in theory and practice＂. In the 20th century, based on Kandinsky＇s concept of anti-realistie painting, several big arguments on the relationship between Chinese and western painting art took place, which is a good opportunity to reflect on traditional Chinese painting. Based on Kandinsky＇s concepts of ＂Nature of Art＂, ＂Tension of Art＂ and ＂Nationality of Art＂, it can be seen that under the impact of western painting art, contemporary Chinese painting tends to pay more attention to the form of painting rather than the spirit, while ignoring the essence of traditional Chinese pain- ing which takes spirit as the most important part. From which does not absorb essenee from other arts and avoid the aspect of art ontology, it is a pity for any national art its shortcomings.