“十七年”时期革命历史题材电影中的叙事时间和叙事视角研究

A Study on the Narrative Time and Narrative Viewpoints in the Films of Revolutionary History in the “Seventeen-year Period”

叙事时间和叙事视角是电影叙事学重点考察的内容。"十七年"时期的革命历史题材电影在叙事时间上,主要涉及对时间的选择、时间顺序的安排和时距(时间的变形)三个方面,创作者基本遵循秩序,显得规范、工整,渲染、突出重点情节和段落。这一时期影片的叙事视角主要采用全知视角,以及限制视角和全知视角相结合的方式,创作者选择让叙述者隐身在作品背后,强化"视觉幻象",靠情节自身的推动力向前发展。这样的叙事方式是由时代性的意识形态及其审美取向决定的。

Film narratology focuses on the narrative time and narrative viewpoints. In the films of the revolutionary history in the ＂Seventeen-year Period ＂, the narrative time mainly refers to the choice of the time, the time sequence, and the time spans（deformation of the time）. With the creators basically follow the orders, so those films seem normative and neat, regularly revealing the key plots and parts. The narrative viewpoint at that time takes mainly the omniscient viewpoint, and also the combination of the limited viewpoint and the omniscient viewpoint. The creators choose to let the narrator hide behind the text, so to strengthen the ＂visual illusion＂ and promote the plot development by the plot itself. Such narrative method is decided by the ideology of the times and its aesthetics orientation.