丁托列托1588年自画像中的克制与矛盾

The Restraint and the Contradiction in the Self-portrait by Tintoretto in 1588

丁托列托1588年自画像一反作者典型的手法主义风格,呈现了克制的技法特征。这一变化展示了16世纪末文艺复兴艺术家所面临的困境和对新方法的迷茫。图式追求中的矛盾性,造就了丁托列托不同寻常的绘画面貌。借由此自画像,丁托列托适度恢复的自然主义立场,可视为作者对文艺复兴的反思和对个体处境的深刻描绘。

The Self-portrait by Tintoretto in 1588 presented restrained technique,which was against his typical style of mannerism. This change showed the dilemma and confusion on the new way that the Renaissance artists had been meeting in the late of 16 thcentury. The contradiction in pattern led to Tintoretto's extraordinary style of painting. With his self-portrait,Tintoretto recovered measurably the view of naturalism,and this could be regarded as the author's profound rethinking on the Renaissance and deep description on his own situation.