摘要
17世纪风靡欧洲的意大利歌剧在法国遭到冷遇,在客观上为法国本土歌剧的诞生和发展创造了条件。当时的法国作曲家吕利没有遵循17世纪意大利歌剧创作的特点,他根据法语发音特点、法国观众品味以及法国皇室需求,巧妙地把歌唱、喜剧、芭蕾、戏剧融于一体,开创了"喜芭蕾剧"这种法国歌剧形式。
When the popular Italian operas were received coolly at the seventeenth century of Europe,it offered the opportunity for the birth of French local Operas. Lully,the French composer did not stick to the creation styles of Italian Operas at 17 thcentury,but based on the pronunciation styles of French,taste of audience and requirement of Royalty that integrated Singing,Comedy,Ballet and Opera. Thus,the comédie-ballet was created.
出处
《艺术探索》
2015年第1期85-87,共3页
Arts Exploration