摘要
入明以来,南北曲的盛衰更替发生着明显的变化。起源于南方民间的南戏逐渐进入了文人的生活视野,南戏声腔在南方得到了广泛的遗存,并得到文人的恣情改编,同时在福建、浙江等区域发生着集中的流变。尽管文人骨子里瞧不起这些来源于民间的淫词艳曲,但南戏的蓬勃发展使得文人对戏曲的评价标准悄悄地发生变化。
Since the Ming dynasty,southern and northern operas had got their ups and downs obviously. The southern opera,originating from southern civil area,gradually entered into scholars' life and its tone remained extensively in the south; then it was reedited willfully and evolved intensively in the areas such as Fujian,Zhejiang. The scholars looked down on the so-called carnal music from civil areas,but the southern opera's thriving development softly changed the scholars' assessment standards to operas.
出处
《东华理工大学学报(社会科学版)》
2015年第1期27-32,共6页
Journal of East China University of Technology(Social Science)
基金
教育部人文社会科学研究<明代文人传奇与民间腔调依存关系研究>(12YJC751044)项目成果之一
关键词
南曲
北曲
声腔
民间版本
Southern opera
Northern opera
tone
folk version