《金瓶梅》与明代丝织品设计

The Golden Lotus and Ming Dynasty Silk Design

明代丝织品除了部分主题性纹样外,大部分具有装饰性,主要用来表达富贵、长寿、求子、纳福的文化寓意。《金瓶梅》中包含了大量明代丝织品图案的设计、使用信息,本文通过对明代市民社会的生活方式、物质资料,尤其是丝织品使用状况、种类的分析,探究明代丝织品图案的题材、结构,并结合明代丰富的市民社会生活状况,深入了解明代丝织品图案设计和使用状况。

Across the five century memory of the ring, is out of reach. When stroked Ming exudes Chen Mu style furniture, stroll in the brick and tile town streets, it seemed to emerge in sight. The Ming Dynasty silk both in quality and weaving process, the peak times and the type, pattern, it concerns net only respect for their own cultural heritage, at the same time in the context of globalization today, put into the design elements with its own national traditional culture in contemporary society has the significance of the times. ＂The Golden Lotus＂ contains a large number of the Ming Dynasty silk design, use, production management, attention to it can not only make us understand the design of Ming Dynasty silk, but also can be combined with the rich social life of citizen status, in-depth understanding of the design and use of silk.