《甄嬛传》与《红楼梦》互文性解读

The Intertextuality Reading of Zhen huan's Biography and A Dream in Red Mansions

《红楼梦》是一部彻头彻尾的悲剧,具有博大精深的思想文化内涵;《甄嬛传》艺术风格委婉含蓄,立体逼真,呈现出了一部皇帝后宫的女性悲剧史。《甄嬛传》编剧流潋紫深受《红楼梦》影响,因此为二者的互文性解读提供了现实可能性。形式上《甄嬛传》实现了对《红楼梦》的巧妙借鉴,立体的文本结构、多重表现手法、象征暗寓的艺术风格造成了古典含蓄的悲剧美;内容上的女性叙事构筑了男权时代女性的生存悲剧:红楼大观园"女儿国"和皇帝后宫的"女人国"女性生存的真相、细腻的心理变化过程和最终毁灭的命运性格悲剧,在一个"人人不配好下场"的人格异化时代,人性救赎显得尤为重要。

A Dream in Red Mansions,a complete tragedy,has profound cultural connotation.Zhen Huan＇s Biography,conducted in obscure artistic style,demonstrates distinctly female tragedy in the emperor＇s harem.Liu Lianzi,scriptwriter of Zhen Huan＇s Biography,influenced deeply by A dream in Red Mansions,provides the possibility of intertextuality interpretation about these two great literature works.Learned from A Dream in Red Mansions,the tridimensional text structure,multiple expressions and the artistic style of using symbol and metaphor in Zhen Huan＇s Biography help to form the classical and implicit beauty of tragedy.Content of female narration constructs women＇s survival tragedy in the society dominated by men： ＂ women country＂ in Grand Garden of A Dream in Red Mansions and the women＇s existence in the emperor＇s harem,presenting vividly the truth and subtle psychological change and the ultimately fatal tragedy.In the personality alienation era of ＂ not everyone deserves good end＂,human salvation is particularly important,which calls for early arrival of universal value.