论《红楼梦》对端木蕻良桂林时期小说创作的影响

On the Influence of “The Story of The Stone”on Duanmu Hongliang's Novel Creation during Guilin Period

端木蕻良对《红楼梦》艺术的反复品味研究,成为他1940年代桂林时期小说创作的重要艺术资源。细察此期小说文本,至少有三个方面体现出《红楼梦》对其创作的深刻影响。一是塑造了以"宝玉"为原型的一系列人物形象;二是在"真情主义"、幻灭主题的表达上呈现出鲜明的《红楼梦》式的悲剧结构和精神;三是在艺术上,神话和暗喻结构的运用、叠印手法和具体意象等方面都与《红楼梦》暗通款曲。1940年代端木蕻良桂林时期的创作可以看出《红楼梦》对后世创作的影响是开放的,多元的。

Duanmu Hongliang had done intensive research on the art of ＂The Story of The Stone＂, which became the significant artistic resources of his novel creation during Guilin period in the 1940s. Taking a closer look at his novels during that time, profound influence from ＂The Story of The Stone＂ could be spotted in least three aspects. First, he characterized a series of characters that were actually based on ＂Baoyu＂ as antetype. Second, the means of expression of ＂Trueemotionism＂ and disillusion- ment are conspicuously akin to the tragedy structure and core value of ＂The Story of The Stone＂. Third, artistically, those novels resemble ＂The Story of The Stone＂ implicitly in the exertion of mythology and metaphor, the ploy of superimposition, depiction of concrete images and so forth. Furthermore, its influence on Duanmu Hongliang＇ s novel creation during Guilin period in the 1940s could indicate that ＂The Story of The Stone＂ has diverse and exoteric impact on the aftertime creation. From Duanmu Hongliang＇ s novel creation during Guilin Period, it could be found that the influence of ＂The Story of The Stone＂ on modem lit- erature works is open and diverse.