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翠叶丹苞斗晚霞 2015年沈阳故宫博物院藏花鸟画艺术展(上)

2015 Exhibition of flower-and-bird painting collected at Shenyang Palace Museum
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摘要 中国的花鸟画有着悠久的历史和独特的风格,自中晚唐兴起之后,一直到明代都为宫廷画院所垄断,成为帝王贵胄表现其雍容华贵的富丽气派的手段。明中期,随着文人画势力越来越大,一些画家尝试着花鸟画创作。如吴门画派诸大家,以简洁、潇洒、充满文人意趣的风格,显示出与宫廷画的明显区别,与吕纪、林良辈之院体水墨花鸟大相径庭。 This article describes the exhibition at Shenyang Palace Museum of flower and bird painting of the Ming and Qing Dynasties, school involved are late Ming and early Qing Dynasty at the turn of the "Jianbi impressionistic school", represented by Yun Shouping "Changzhou school of painting " headed by Lu Ji, Bian Wenjin into the "Ming Dynasty imperial court art school of painting" and so on, from the works on display should look at is a dynastic history of art. This paper choose the products introduction in the exhibition, overview for readers.
作者 杜恒伟
出处 《收藏家》 2015年第4期3-12,共10页 Collector

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