摘要
人往往成为风景的注脚，而剔除人的画面对于韩冰来说便少了许多问题。在她2015年的最新个展“Best Least Worst Option”中展出的一系列近期作品中可以看出。艺术家对绘画的探讨转向所身处的环境和面对的空间，来试探有限空间的多重可能。
PEOPLE OFTEN BECOME footnotes to scenery. For Han Bing, eliminating the human figure from an image makes for fewer problems. In her latest solo exhibition, ＂Best Least Worst Option,＂ her recent work explores painting as it veers towards a discussion of living environments, testing the limits and possibilities of space.
出处
《艺术界》
2015年第2期40-43,共4页
