摘要
“城市正如同我们笔下的地图，此间生活的我们就好比在写一本书。”——巴塞尔·阿巴斯和鲁安·阿布-拉米，《不可饶恕的那些年（第二章）》（2014年）由朱恩洁协同井上瑞恩策划的第十二届沙迦双年展，主题为“过去，现在，可能性”。这个主题启发于“沙迦和沙迦的人民，我们共享的这个世界，及这个富有希望与信任的共同体。”同时也是为了这样一个愿景。
＂Now the city was moving like a map we were drawing, now we would begin to live our life like a book we were writing.＂ --Basel Abbas and Ruanne Abou-Rahme, Unforgiving Years （Part Ⅱ）（2014）Curated by Eungie Joo with associate curator Ryan In-ouye, Shaljah Biennial 12 （SB12） is presented with the linear theme of ＂the past, the present, the possible,＂ inspired by and for ＂Sharjah, its people, and the world that we share,engendered with a community of hope and trust.＂
出处
《艺术界》
2015年第2期184-187,共4页
