摘要
展览从一片方块开始，我们看到马列维奇著名的黑色长方形小油画，这幅亲密得让人凉讶的作品发展出了一场迷人的展览．记录了抽象艺术作为概念、政治与视觉动力跨越艺术与文化领域的影响力。画廊底层专注于20世纪作品，展示了艺术家对线条和几何图像处理方式的发展过程——从拉斯洛·莫霍里一纳吉的明胶银盐版画到何里欧·奥迪塞卡的水粉画又到利斯兹基设计的杂志封面再到温德哈姆·列维斯的作品。
This exhibition begins with a void. In this case, Malev- ich＇s influential small painting of a black rectangle： the exhi- bition grows from this surprisingly intimate work into a fas- cinating show documenting the influence of abstraction as a conceptual, political, and visual force across art and culture. The ground floor of the gallery focuses on the twentieth century, demonstrating how artists＇ approaches to linear, geo- metric abstraction have developed--bouncing between silver gelatin prints by Laszlo Moholy-Nagy and gouache paintings from He1io Oiticica to magazine covers by E1 Lissitzky and Wyndham Lewis.
出处
《艺术界》
2015年第2期196-197,共2页
