《程氏墨苑》之“宝像图”的文化意涵:利玛窦的传教策略

Cultural Implications of Baoxiangtu in CHENG SHI MO YUAN:The Missionary Strategy of Matteo Ricci

"信而步海,疑而即沉"是《程氏墨苑》所收录的四幅"宝像图"之中最具代表性作品。作为明清时期西方教士在华宣传教义的重要图像遗存,历来受到海内外研究学者的重视,具有重要的研究价值。本文旨在以"宝像图"之一"信而步海,疑而即沉"为基点,于明清之际西学东渐的情境下阐释其图像内涵和功能的变化,探讨这一现象发生的深层原因。

＂Xin Er Bu Hai, Yi Er Ji Chen＂ is the most representative works recorded by ＂CHENG SHI MO YUAN＂. As early period remains of Christian in China, they are very important images＇ public doctrine which have brought to the attention of researchers because of their research value. The purpose of this paper is to take Baoxiangtu＇s ＂Xin Er Bu Hai, Yi Er Ji Chen＂ from the connotation of images and the transformation of functions to interpret the change of communicating situation between West and East, and then to analyze the reason of this phenomenon.