符号学视野下杜尚《泉》进入艺术界原因初探

The Cause of the Entrance of Duchamp's“Spring”into the Art World in Semiotics

杜尚《泉》在后现代艺术中地位举足轻重。后现代解构主义哲学思想大潮和艺术界先锋艺术创作潮流深刻改变着后现代艺术的发生。《泉》依靠自身独特伴随文本进入艺术界。《泉》进入艺术界的艰难过程既是杜尚艺术大师地位确立的过程,也是后现代先锋艺术嬗变和分化的过程。《泉》充分实现了艺术符号的非自然性非实用性以及非外延性特性,并因此成为后现代先锋艺术中异项美学的杰出代表。

Duchamp＇s ＂Spring＂ occupies a decisive position in modern art. The occurrence of post-modern art has profoundly changed under the influence of the postmodern deconstructionist philosophy and the vanguard＇s art tide. The entrance of ＂Spring＂ into the art world accompanied, relying on its own unique cotext.The difficult process is both the establishment of the position of the Master Duchamp, but also the evolution and the differentiation of post-modern pioneer art. ＂Spring＂ fulfills the artistic characteristics of non-naturalness, non-practicality, non-referentiality, and thus becomes an outstanding representative of the post-modern aesthetics of the marked.