摘要
易卜生是被誉为"近代戏剧之父"的19世纪中后期挪威剧作家和诗人,也是作为中国现代戏剧臻于成熟的关键人物。曹禺在戏剧创作方面较早接触并深受影响的外国剧作家正是易卜生,其剧作受易卜生的影响是多方面的,他卓越的戏剧艺术水平,也是将易卜生戏剧理论进行选择接受之后形成的。而在这种选择和接受过程中,实则贯穿着曹禺自己对于时代特征的深刻理解和独到思考。
Ibsen is known not only for the “father of modern drama” which lived in Norway of the late nineteenth century as a playwright and poet, but also for the key figure in the process of Chinese modern drama’ s reaching maturity. Cao Yu’ s dramas creation is early contacted and deeply affected by the foreign playwright Ibsen, whose plays is multifaceted influenced by Ibsen’ s, and his excellent level of dramatic art, is also formed after both choosing and adopting based on Ibsen’ s dramas theories. And in this process of selection and acceptance, Cao Yu actually runs through with his own thinking and deep understanding of the unique features for the era.
出处
《南昌航空大学学报(社会科学版)》
2015年第1期93-96,119,共5页
Journal of Nanchang Hangkong University(Social Sciences)