中晚唐“乐坏”之后的制度追认与诗歌新变

System in the Late Tang Dynasty “Thrilled” after the Ratification of the New Variant and Poetry

按照天宝十载玄宗敕文的预兆,唐代音乐原本有中央控制下渐进下移的可能,但随后不久的安史之乱及长期战乱彻底改变了这一渐进式发展道路。大时代没落的历史背景下,禁乐下移脱离了中央控制,宫廷音乐也以突变形式下移。宫廷之外,官员家妓、藩镇及地方政府乐舞、民间音乐等兴盛,并成为社会生活的常态。"乐坏"之后,这一时期公私乐发展的"合法性"也得到制度追认。乐制崩坏、"禁乐"下移对这一时期诗歌的发展有着重要影响:(1)音乐诗描写对象由宫廷之内转向宫廷之外;(2)以白居易为代表的新乐府创作;(3)以刘禹锡为代表的竹枝词创作;(4)文人词创作开始兴起。

According to Tempo decade imperial reign omen text, originally under the Tang Dynasty music progressive central control may be down, but soon after the Rebellion and the long war completely changed this progressive development. Great era of the decline of the historical background, cut down from a central control music, court music also mutated form down. Outside the palace, officials house prostitutes, military governors and local government dance, folk music flourished and become the norm of social life. After the ＂bad music＂, the development of public and private music of this period ＂legitimacy＂ of the system has also been ratified. Music system collapse, ＂forbidden＂ music down has an important influence on the development of poetry in this period： （1） Music poem describing the object from the inside of the turn to the court outside the court. （2） With Bai Yue represented by the new creation. （3） Liu Yuxi represented Zhuzhici creation. （4） The term creative writers began to rise.