从文论与书论互动视角看《文心雕龙·练字》篇

Analysis of Wen Xin Diao Long ——Lianzi from the Perspective of Interaction between Calligraphy Critics and Literary Theory

《文心雕龙·练字》篇既是对文章作法理论的论述,又涉及了文章书写具体技巧,在文学艺术史上极为可贵。《练字》篇中述及文字的产生、发展、六书之结构、书体之演变、汉律之法规等一系列问题,保存了我国早期关于文字理论的研究成果,为我们今天探讨、研究古代文字以及书体的发展演变过程提供了不可或缺的资源。而文化作为书法的根基和土壤,其重要性日渐凸显,因此从古代文学理论中汲取营养并指导书法实践是可行之路。《文心雕龙·练字》篇及其他相关篇章所涉及到的批评方法和理论范畴对当代书法的价值和意义亦在于此。

The chapter named Lianzi in Wen Xin Diao Long not only stated the article writing theory, but also involved in the particular skills of article construction, which is extremely estimable in the history of literary arts. This Chapter introduced the origin and development of words, the structure of Hexateuch, the evolution of chirography, the laws of Han Dynasty and other issues. It was the results preserved about the words theory in ancient China that provided present generation with the necessary resources to study the ancient words and their development. However, as the groundwork and soil, culture has become increasingly important. Therefore, it is possible to reincarnate the soul of the ancient words theory into the guidance and practice of calligraphy. The critic methods and theories implied in the chapter of Lianzi in Wen Xing Diao Long and the relevant chapters are of great importance to the modern calligraphy.