摘要
田沁鑫的话剧起初是女性情怀的抒发,逐渐而为或静水深流的平民史诗,或波澜壮阔的英雄传奇,而无论是女性情怀,还是史诗追求,都始终贯穿着中国传统文化的审美意识与艺术品位,在当前的戏剧舞台上可谓独树一帜。结合其在编剧上叙事话语的追求,田沁鑫戏剧的舞台呈现相应采用了令人耳目一新的艺术方法和手段,以强烈的视觉冲击力和狂热的肢体语言,传达出创作者的某种思想或情绪。可以说,田沁鑫通过具体创作实践了现代艺术观念和东方传统美学观念的结合,开创出当代中国戏剧艺术发展的新时空、新方向以及新的可能性。
Tian Qinxin's drama is the expression of female's feeling at first,and gradually becomes civilian epic like quiet deep water flowing,or magnificent saga.Tian's drama always runs through an aesthetic consciousness and art taste of Chinese traditional culture,unique on the current drama stage.Combined with the writer's narrative discourse pursuit,Tian Qinxin's drama corresponding adopts refreshing artistic methods and means on stage presentation with intense visual wallop and body language,conveys specific thoughts or emotions of the creator.Through concrete creation,Tian practiced the combination of the modern art and oriental traditional aesthetic concept,creating new time,space,direction and new possibilities in the development of contemporary Chinese drama art.
出处
《河北科技大学学报(社会科学版)》
2015年第1期65-70,共6页
Journal of Hebei University of Science and Technology:Social Sciences
基金
2014年度国家社会科学基金项目(14BZW035)
关键词
田沁鑫
戏剧
女性情怀
史诗
舞台
Tian Qinxin
drama
female feelings
epic
stage