浅析郎式集锦摄影——摄影艺术对中国意境的表现与再现

ANALYSIS OF THE COLLECTION OF PHOTOGRAPHY BY CHIN-SAN LONG——PHOTOGRAPHY ART EXPRESSION AND REPRESENTATION OF ARTISTIC CONCEPTION IN CHINA

郎静山通过仿国画、重意境、师古法的原理,运用集锦摄影的方法,创作出了蕴含中国文化和个人艺术风格的郞式集锦摄影。郎静山认为外国一些摄影作品中对中国陋习的拍摄使外国人既不认识中国文化又曲解了中国文化,为了让更多的人了解较深内涵的中国传统文化,郎静山通过摄影作品向世界介绍中国文化。郎静山的集锦摄影通过选取众多镜头,加以作者深厚的中国画基础和中国文化涵养,创造出了具有诗情画意的浪漫主义意境的作品。郎静山是把中国画理运用于摄影的第一人,它掀开了具有中国文化的摄影艺术的新篇章,对以后摄影的发展产生了积极意义,对后世中国画理与摄影艺术的结合开辟了道路,对摄影艺术影响深远。

Through imitating the traditional Chinese painting, valuing artistic conception and learning ancient method, Chin-san Long produced the Chin-san Long photography collection with Chinese culture and personal artistic style. Chinsan Long thought some foreign photography works about Chinese bad habits taken by foreigners make them misunderstand and distort the Chinese culture. To let more people know the deep connotation of Chinese traditional culture, Chin-san Long introduced Chinese culture to the world through photography. Through the collection of Chin-san Long photography with selecting numerous shots and the author＇s profound foundation of Chinese painting and Chinese culture, Chin-san Long created poetic works of romantic artistic conception. Chin-san Long was the first person to apply Chinese Hua Li to photography, which opened a new chapter of photography art and had a positive significance in the development of later photography. It paved the way in combining the Chinese Hua Li and photography art and had a far-reaching influence on photography art.