摘要
在四川当代油画中，“风景”或与风景相关的创作一直延绵不断，从20世纪80年代以来．不仅有自身的线索，而且形成了自己的传统。当然,在不同艺术家的作品中,其艺术诉求也各有侧重：有追求作为文化表征的风景，有以现代主义风格为取向的风景，也有田园般诗化的风暴。
In Sichuan＇s contemporary oil paintings, scenery never stops being a focus of creation. Since the 1980s, clues and traditions specific to the genre have been developed. Of course, in the works of different artists, the highlights are different： some artists use scenery as cultural symbols, some give it a modernist touch, and others depict its poetic nature. As an art fachion, Scenery paintings can be traced back to the ＂Countryside Paintings＂ in the beginning of the 1980s.
出处
《美术文献》
2014年第8期72-79,共8页
Fine Arts Literature
