摘要
新时期以来,女性诗歌经历了复杂的发展过程,意象始终作为重要的艺术策略运用其中。不论是1980年代"黑夜"、"死亡"等面向躯体的意象建构,还是1990年代至新世纪以后,"植物"、"家居"等日常生活场域的智性之思,以及面向底层社会的"工业"、"疼痛"等意象所产生的切身体验,均展现了女性诗歌对意象艺术的重视与探索。意象艺术使得女性诗歌的审美日趋多元,对诗歌本体的构建提供了理论支撑。
Since new period,the Female Poetry has undergone a complex developing process,image has always used as theextremely important artistic strategy in Female Poetry. Whether in 1980s' image of"night"and"death"which are taken asthe construction of the female body,or after the 1990 s to the new century's image,like the " plant", " home" which areparts of daily life in the field of intellectual,and the underlying social oriented " industry", " pain" and other image genera-ted by the experience. The choice of all those images shows that Female Poetry cherish and explore the imagery art. Image-ry art makes female poetry aesthetic has become increasingly diverse,and also provides a theoretical support for poetry.
出处
《科学.经济.社会》
2014年第4期153-157,共5页
Science Economy Society
关键词
女性诗歌
意象
流变
female poetry
Image
evolution