摘要
《雪国》是诺贝尔文学奖获得者川端康成的代表作品,叙述了主人公岛村三次到访雪国的经历。小说以男性视角描写女性意识,男女地位的不平等,为爱情的无疾而终埋下了伏笔。在描绘"雪国"独特的自然景观和人文精神活动的同时,作者运用象征艺术手法,成功塑造驹子与叶子两位美丽迷人而又悲戚感人的女子的人生。文中女性悲情美的艺术塑造,充分体现出"性别命运"的社会性问题,营造出摄人心魄的审美的悲剧意义。其生活原型来自于作者的人生经历和独特的审美意识。从女性艺术形象的现代审美构造角度出发,具体分析凝聚于女性身上所具有的独特的悲情美。
Snow Country is a representative work of Yasunari Kawabata,who won Nobel Prize for literature. The protagonist Shimamura＇s visiting of the Snow Country is narrated in this novel. It depicts the female consciousness from the viewpoint of the male,and also the inequality of the social status between men and women which results in the fruitless love. While describing the Snow Country＇s unique natural scenery and the activities of human spirit,the author successfully creates the lives of Komako and Yoko,two charming but rueful women with the use of symbolism. The artistic creation of female tragic beauty comes from the author＇s life experience and unique aesthetic consciousness,and it will be analyzed in this paper from the perspective of modern aesthetic significance.
出处
《兰州工业学院学报》
2015年第2期104-108,共5页
Journal of Lanzhou Institute of Technology
关键词
女性
悲情美
象征
审美意义
female
tragic beauty
symbol
aesthetic significance
