平远台诗社与顺、康晋安诗坛风尚渐变

Ping Yuan Tai Poetry and Shunzhi,Kangxi Period Gradually Change Jin An Parnassus

顺治、康熙年间晋安诗坛风尚不再固守传统的以盛唐为家法,少数诗人开始把学习探索的目标转向宋诗之瘦硬朴拙,如顺、康之际的许珌、许友昆仲,康熙中后期的张远可为代表。但是需要明确的是,顺治年间渐渐兴起的宋诗风并没有完全取代宗唐之传统。到康熙中晚期,宗唐与趋宋的二元对立,发展成诗人灵感的两个源头。初创于顺治年间、兴盛于康熙时代的平远台诗社前后存续近百年,诗社无论成员人数亦或影响皆冠绝当时,其成员诗风的渐变恰可作为我们窥探顺治、康熙年间晋安诗坛风尚转变一窗口。

Shunzhi, Kangxi period, Jinan poetry no longer stick to the traditional fashion to the Tang as family laws, a few poets began to explore the learning objectives steering Song of pristine, as Xu Bi, Xu You, Zhang Yuan. But the need to be clear that, Shunzhi years gradually rise Wind Song and Tang were not completely replace traditional. Kangxi in the late Tang and Song dualistic tendency to develop into two sources of inspiration for poets. Start-up in Shunzhi years, before and after the Kangxi era flourished in poetry subsisting flat distant station nearly a hundred years, regardless of the number of members or will affect all Guanjue was poet- ry, poetry of the gradient of its members just do we spy Shunzhi, Kangxi period Jinan Parnassus fashion changes in a window.