传统意境源流与现代意境之差异——关于意境源流重溯和若干质疑试解

Differences between Traditional and Modern Artistic Conceptions——On Retracing Origins of Artistic Conceptions and Solutions to Some Queries

归纳唐以来意境范畴的共性,据此而溯源。发现:意境与唐之前珠水、隐秀等之间的理论关联,并摄取其间的同构要素,求证其共同源点,证明在中国美学史上从老庄至清末确实存在着关于该范畴持续运行的、或明或暗的一条纵轴,证明了其在唐代诞生的必然性、境象关系等。将传统意境主线和始自王国维的现代意境予以多视角对比,发现了两种意境的本质、特征的六大差异,并尝试回答了关于本命题的若干质疑。

The origin of artistic concept is traced on the basis of summarizing the similarities in artistic concep- tions since the Tang Dynasty, hence theoretical relevance between artistic conception and the pearls and jade in the depth of rivers and metaphorical excellence are revealed. Further, iso - structuralist elements are drawn to find out their common source in order to demonstrate that a longitudinal axis, which is continuous, overt or covert, does ex- ist in Chinese aesthetic history from ancient days of Lao - tzu, Chuang - tzu to the late Qing Dynasty, and the ne- cessity of its emergence, the relations between sights as well. Comparison of the traditional and modern artistic con- ceptions is conducted from multi - perspectives to find the six differences in characteristics between them and at- tempt to clear some questions about the topic.