新疆的诃利帝信仰——以《南海寄归内法传》和丹丹乌里克相关绘画的释读为中心被引量：1

Hariti Worship in Xinjiang——An Account of the Inner Law Sent Home from the South Sea and Paintings about Dandan Oilik

下载PDF

导出

摘要新疆地区的诃利帝信仰直接传承于犍陀罗地区,其图像样式和供养方式都与之相关。文本通过对新疆地区诃利帝信仰的研究,发现以前被人们忽视的义净著《南海寄归内法传》中描述的诃利帝供奉方式事实上原本是属于新疆于阗、龟兹地区的,同时讨论了丹丹乌里克所出相关绘画中抱小儿像者与诃利帝的关系,进一步说明新疆地区诃利帝信仰曾经盛极一时。 Hariti worship in Xinjiang has been inherited from Gandhara region,whose image pattern and donor way are related to that.The essay writer based on research in Hariti worship in Xinjiang has found that way of worshiping Hariti described in An Account of the Inner Law Sent Home from the South Sea written By I Tsing once neglected once upon time originated from Khotan and Qiuci Prefectures in Xinjiang and discussed relations between child-holding image andHariti in relevant paintings by Dandan Oilik. It is further indicated that Hariti worship in Xinjiang was once prevalent.

作者李翎

机构地区中国国家博物馆藏品保管一部

出处《新疆师范大学学报（哲学社会科学版）》 CSSCI 北大核心 2015年第3期90-98,共9页 Journal of Xinjiang Normal University(Philosophy and Social Sciences)

基金国家社科基金西部项目"敦煌佛教社会史研究"(12XZJ002)的阶段性成果

关键词丝路文化《寄归传》西方诃利帝祆神 Silk-Road Culture An Account of the Inner Law Sent Home from the South Sea West Hariti Fire Worship

分类号 K87 [历史地理—考古学及博物馆学]

引文网络
相关文献

参考文献24

1Lowell W.Bloss:The Buddha and the Naga,A study in Buddhist. Folk Religiosity.. "- - : History of Religions,Vol. 13,No.l(Aug,1973),pp.36-53.
2-Julia K_Murray'.Representations of Hariti ,the Mother of Demons,and the Theme of "Aaising the Alms-bowl"in Chi- nese Painting, Artibus Asiae,Vol.43,No.4(1981-1982),p254.
3霍旭初:《龟兹石窟佛教研究》,北京:宗教文化出版社,2013年版,第24、178页.
4《龟兹石窟"过去佛"研究》,载霍旭初:《龟兹石窟佛学研究》,北京:宗教出版社,2013年版,第99-128页.
5Will.H.Edmunds: pointers and clues to the subjects of Chinese and Japanese art ,London, 1935,P,244.
6M. Mode: "Sogdian Gods in Exile Some iconographic evidence from Khotan in the light of recently excavated material from Sogdiana", Silk Road Art and Archaeology,2, 1991/92, pp,179-214, esp. p,184.
7荣新江:《佛像还是祆神》原文注解,载《九州学林》1卷2期,香港城市大学中国文化研究中心、上海复旦大学出版社,2003冬季,第93-115页.
8Ch. Baumer: "Dandan Oilik Revisited: New Findings a Century Later", Oriental Art, XLV. 2, 1999, pp,2-14.
9荣新江:《佛像还是祆神》引注,载《九州学林》1卷2期,香港城市大学中国文化研究中心、上海复旦大学出版社,2003冬季,第93-115页.
10Christoph Baumer:Sogdian or Indian iconography and re- ligious influences in DanDan-Uliq-the mural of Buddhisttemple D13.