期刊文献+

略谈从“邈影如生”到“恍恍如生”

A Discussion on the Portrait Eulogies
下载PDF
导出
摘要 晚唐五代时期的敦煌写真邈真赞,是以写真肖像和撰写赞文相结合的形式,为后世子孙缅怀之用。现藏于甘肃省榆中县博物馆的《方氏像谱》,是明清时期的一本族谱,里面有一篇思亲怀旧之文。其形式和内容,应归于"写真赞",和敦煌写真邈真赞有着一脉相承的关系。 In the Late Tang and Five Dynasties, Dunhuang portrait eulogies were a kind of literature that combined portraits with eulogies, and were mainly used to help later generations in remembering and honoring their ancestors. The Pedigree of the Portraits of Family Fang now kept in Yuzhong county museum in Gansu Province is a genealogy formed in the Ming and Qing dynasties. It contains an article recalling relatives and old acquaintances which should be regarded as a portrait eulogy according to its style and content, and should there-fore be closely related to the portrait eulogies of Dunhuang.
作者 柳庆龄
出处 《敦煌研究》 CSSCI 北大核心 2015年第2期102-105,共4页 Dunhuang Research
关键词 写真像 写真赞 留影存真 portrait portrait eulogies memorial portrait
  • 相关文献

参考文献2

  • 1姜伯勤.敦煌的写真邈真与肖像艺术[G]//姜伯勤.敦煌艺术宗教与礼乐文明:敦煌心史散论.北京:中国社会科学出版社,1996:77.
  • 2马德.敦煌绢画上的"邈真"与"邈真赞"[C]//转型期的敦煌语言文学:纪念周绍良先生仙逝三周年学术研讨会论文集.兰州:甘肃人民出版社,2010:387-397.

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部