摘要
在抒情性遭受质疑和消解的当下汉语诗歌写作洪流中,湘西侗族诗人杨林坚持着诗歌的抒情走向,却又超越了传统抒情诗的局限,在对存在之真的追问中彰显了"作者隐退"的抒情品质。他善用灰暗枯败的意象营造深沉的抒情语境,利用多重错位的审美程序撕裂表象对存在的遮蔽,复活存在者的感性生命,将神性、敬畏、悲悯等情怀重新植入消解意义、亵渎神圣的后现代语境,用自行呈现的抒情之诗照亮现代人回家的路。
When lyricism is doubted and neglected in public in the contemporary Chinese poem writing, Yang Lin,the Dong minority poet in Xiangxi is insisting the lyric writing and transcends ancient paths. He does well in creating deep Lyric context by using gray imagery, tearing to the cover by multiple dislocation image of aesthetic procedures, arousing the being's sentient life, planting feelings of divine, fear, grief, etc. to the postmodern context of blasphemy eliminate sense, so as to light up the way to go home by his lyric poems of appearing.
出处
《云梦学刊》
2015年第2期92-96,共5页
Journal of Yunmeng
基金
湖南省"十二五"重点建设学科现当代文学学科成果之一
关键词
暗色
敞亮存在
杨林诗歌
抒情品质
grey
bright and exists
Yang Lin's poems
lyricism