摘要
刘恪的《中国现代小说语言史》,始于文学内部的研究,即从文学语言出发,采取直面命名、清晰分类和细致描述的言说方式。他的分析和总结是在描述的基础上生长出来的,而不是观念先行;他使用的是他内心感受出的语言,而不是公共语言;他把创造性的热情带到学术研究里,使学术语言有了体温、创见和趣味。这对当代学界具有借鉴意义。
Liu Ke's Linguistic History of Chinese Modem Fiction, researched from the literature language of Chinese modem novel, used the method of directly naming, clearly classifying and particularly describing. His analysis and summary was based on his description, but not the concept first; His academic language was from his inner feeling, but not the common language; He brought the creative enthusiasm to the field of academic research, and made the academic language having warmness, creative idea and delight. These have some meanings for the present academic circles.
出处
《云梦学刊》
2015年第2期106-108,共3页
Journal of Yunmeng
关键词
刘恪
《中国现代小说语言史》
学术语言
描述式
创造性
Liu Ke
Linguistic History of Chinese Modern Fiction
academic language
styles of description
creativity