艾青的画论

Ai Qing's Theory of Painting

艾青作为20世纪文学史上的著名诗人已为人们所接受,其诗歌艺术及诗论得到较多的研究,但鲜有人论及艾青的画论。艾青的画论经历了三个时期,显著的特点是:绘画题材的人民性;表现形式上注重写实,同时富有自己的主观感情;强调绘画与政治、宣传的密切关系;他对待国画改造的态度,亦是中国现代绘画史的缩影。艾青的画论对其诗论和诗歌创作产生过较大的影响,但同时他的诗作充满了自我主体的抒情性。他的画论与诗论的人民性、政论性、诗歌书写的自我主体的抒情性之间的紧张关系,见证了一个时代的文人之运命。

Ai Qing has been accepted by the people as a famous poet in the 20th Century literary history. There have been many studies for his art of poetry and poetics, but Ai Qing＇ s theory of painting has been seldom mentioned. There are three periods in his theory of painting which can be characterized by the following notable features： the affinity to people; focusing on realistic form of expression, and full of their own subjective feelings; emphasizing the close relationship between painting and political propaganda; his attitude of treating traditional Chinese painting renovation is also a microcosm of the history of modem Chinese painting. Ai Qing＇ s theory of painting had great influence on his thought of poetry and poetry creation, but there was full of self-lyricism in his poems. The tension between the affinity to people together with political comments on the theory of painting and poetics and the self-lyricism in his poetry writing witnessed a writer＇ s destiny in the great time.