论九十年代小说的叙事视角

On the viewing point of the novels in the 1990s

随着市场话语的勃兴和启蒙思潮的低落，90年代小说的叙事视角呈现出多元化格局：全知叙事走向衰落，局部化、限制性的叙事视角方兴未艾，旁知视角和隐知视角呈现为非人格化叙事。90年代小说叙事视角的转换是对全知叙事的假、大、空模式的反拨，同时，90年代作家对旁知视角和隐知视角的滥用也在某种程度上走向媚俗的歧途。

Abstract:In keeping with the flourish of the commercial parole and the decline of the illuminative thought, the viewing point of the novels in the 1990s assumes pluralistic framework. As the omnipotent narrative wanes, the sectional and the restrictive narrative prevail. The onlooking and thepeeking narrative are impersonal. The turn of the viewing point reacts against the fallacious and the giant and the vacuous narrative. At the same time, the writing get into vulgarization when the writersmisspend the onlooking and the peeking narrative.