北周时期佛教造像碑图像研究

Research on the Buddhist Image in Steles of Northern Zhou Dynasty

本文以北周时期的造像碑图像为研究对象,对这一时期的造像碑的特点进行了梳理,在把握其风格嬗变的基础上,对其原因进行探讨。北周前期的造像碑,在风格上体现了对北魏以来造像样式的继承;后期则以南朝文化为宗,显现出逐步汉化的趋势。在汉化的同时,有机地结合了本民族特质,不断创新,最终发展出新的独具特色的造像样式。

Taking the Buddhist images in steles during the Northern Zhou Dynasty as the research objects, this paper combs the characteristics of this period the Buddhist image in steles and discusses the reasons of its style evolution.In the early days of the Northern Zhou Dynasty, the Buddhist images in steles inherit the styles, which have been existing since the Northern Wei Dynasty,focusing on the culture of the Southern Dynasties with assimilating into Hart-Chinese in the later time.Then,it combines the characteristics of ethnic with the culture of Han-Chinese to create a new unique style of the Buddhist image in Steles ultimately.