20世纪戏仿叙事的“反向”逻辑

On the "reverse" Logic of Parody Narrative in the 20th Century

在中西方20世纪的文学创作中,戏仿叙事作品的兴盛是一个十分突出的现象。这类作品在依赖戏仿进行叙事的过程中通常都遵循一种独特的"反向"或"倒置"的逻辑,对源文本的叙述逻辑及创作意图进行颠倒式的处理,具体手法包括对源文本中"英雄"式主人公的反向塑造、对源文本角色间的权力等级关系的反向设置、对源文本情节叙述模式的反向"突转"。虽然20世纪戏仿叙事的"反向"逻辑是对源文本叙述逻辑的一种解构或否定,但它却不是对后者的纯粹消极的否定或破坏,而是一种带有双重性质的积极的否定。

In Chinese and Western literature in the 20th century, flourished parody narrative is a very prominent phenomenon. The parody narrative works performed in reliance on parody narrative process usually follows a unique ＂reverse＂ or ＂inverted＂ logic,in order to make the logic of narrative and creative intentions of source texts reversed by means of specific techniques, including characterizing anti-heroic protagonist, setting reversely hierarchical relationship between roles in source text and making narrative mode of source text reverse ＂sudden turn＂. Although the ＂reverse＂ logic of parody narrative of the 20th century is a negation or deconstruction of the narrative logic of source text, it is not purely passive negation or destruction, but a positive negation of ambivalence.