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场域中的“舞动”——读《社会与舞蹈:过程与表演的社会人类学》 被引量：3

“Dancing”in the Field: Review on Society and the Dance:The Social Anthropology of Process and Performance
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摘要 舞蹈作为一种艺术表演形式,在不同的社会场域和展演进程中可被赋予多元的文化解读。本文基于对《社会与舞蹈:过程与表演的社会人类学》(Society and the Dance:The Social Anthropology of Process and Performance)一书的解读,从社会与舞蹈关系的重审、作为理解族群文化的舞蹈、研究方法的思考三方面展开,对书中观点及舞蹈与社会二者之间的关系展开讨论,并借以反思此书对舞蹈人类学研究的启示。 As a form of performing arts, dance might be culturally and differently interpreted in different social occasions as well as in its different process of evolution. The paper is on Society and the Dance ： The Social Anthropology of Process and Performance. It aims to rethink its impact upon the research of the anthropology of dance with the three factors at its core, i.e. redefinition of society and dance relationship, dance as a form of understanding ethnic cultures as well as its methodology.
作者 孙淼
机构地区 大连大学音乐学院
出处 《北京舞蹈学院学报》 CSSCI 北大核心 2015年第2期109-112,共4页 Journal of Beijing Dance Academy
关键词 舞蹈 社会文化 文化场域 展演 dance social culture cultural field performance
分类号 J704 [艺术—舞蹈]
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参考文献14

  • 1PROKOSCH K G. Panorama of Dance Anthropology[J]. Current Anthropology. 1960,1(3): 233 - 254.
  • 2洛佩兹,斯科特.社会结构[M].允春喜,译.长春:吉林人民出版社,2007:23.
  • 3SPENCER, PAUL. Introduction: Interpretations of thedance in anthropology [ C ] // Society and the Dance :The Social Anthropology of Process and Performance.Cambridge: Cambridge University Press, 1985:2.
  • 4ADRIENNE L K. Dance Ethnology and Anthropology ofDance[ J]. Dance Research Journal. 2000, 32( 1 ) : 117.
  • 5AKTAS, GURBUZ. OGCE, FILIZ. Dance as a Therapyfor Cancer Prevention [ J ]. Asian Pacific of CancerPrevention, 2005,6(3): 408 - 411. http://www.researchgate. net/publication/7530516 _ Dance _ as _ a _therapy_for_cancer一 prevention.
  • 6SPENCER, PAUL. Introduction: Interpretation of thedance in anthropology [ C ] // Society and the Dance:The Social Anthropology of Process and Performance.Cambridge : Cambridge University Press, 1985 :4.
  • 7BLACKING, JOHN. Movement, dance, music, and theVenda girl ’ initiation cycle [ C ]// Society and theDance: The Social Anthropology of Process andPerformance. Cambridge: Cambridge University Press,1985:66.
  • 8SPENCER, PAUL. Society and the Dance: The SocialAnthropology of Process and Performance [ C ].Cambridge : Cambridge University Press, 1985.
  • 9布朗.安达曼岛人[M].梁粤,译.桂林:广西师范大学出版社,2005.
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二级参考文献39

  • 1Wilfried van Damme, "'Good to Think': The Historiography of Intercultural Art Studies," World Art 1 ( 1 ), 2011, pp. 43-57.
  • 2H. Glenn Penny, Objects of Culture: Ethnology and Ethnographic Museums in Imperial Germany (《文化物质:德意志帝国的人类学和人类学博物馆》),Chapel Hill: The University of North Carolina Press, 2002.
  • 3Andrew Zimmerman, Anthropology and A ntihumanism in Imperial Germany, Chicago: University of Chicago Press, 2001.
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  • 6"The Ethnographic Object and the Object of Ethnology in the Early Career of Franz Boas," in Volksgeist as Method and Ethic: Essays on Boasian Ethnography and the German Anthropological Tradition, ed. George W. Stocking, Jr, pp. 185-214, Madison: The University of Wisconsin Press, 1996,1- 194.
  • 7Rainer F. Buschmann,A nthropology's Global Histories: The Ethnographic Frontier in German New Guinea 1870-1935, Honolulu: University of Hawai'i Press, 2009.
  • 8H. Schurtz, "Zur Omamentik der Aino," lnternationales A rchivfur Ethnographie 9, 1896, pp. 233-251.
  • 9Dos Wurfmesser der Neger. Ein Beitrag zur Ethnographie Afrikos, Leiden: P. W. M. Trap, 1889.
  • 10Altersklassen und Mannerbunde. Eine Darstellung der Grundformen der Gesellschafi, Berlin: G. Reimer, 1902.

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北京舞蹈学院学报
2015年 第2期

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