透析抗战时期的“零余者”形象

Analysis of “Superfluous man” Image in the Anti-Japanese War Period

在中国现代文学中塑造了很多"零余者"形象,纵观整个文学可以发现"零余者"形象本身是有变化的,而抗战时期的"零余者"形象更是类型丰富。他们多在西方思想与封建礼教的双重压力下,在人生旅途中迷茫、犹豫不决,他们对自我身份的认同产生危机,而这些形象的自我认同危机有着不同的表现及原因,主要有以下三种基本类型:传统文化困居下的牺牲者、中西文化夹击下的彷徨者、现实与梦想冲突下的失败者。这些"零余者"形象以其丰富的艺术内涵为中国文学的发展做出了贡献。

China modern literatures created many ＂Superfluous man＂ images.Throughout the literature it can be found that the ＂Superfluous man＂ image itself is changing.And the ＂Superfluous man＂ images in The Anti-Japanese War period have more plentiful types.They are more in the dual pressures of Western thoughtand the feudal ethics and confused,hesitated in the journey. They produce crisis on the self-identity.And the self-identity crises of these images have different manifestations and reasons.It mainly has the following three basic types：victims trapped in the traditional culture,Hesitations attacked from Chinese and western culture and losers under the conflict of realities and dreams.The ＂Superfluous man＂ image has contributed to its rich artistic connotations for the development of Chinese literature.